Movie Review: A Genesis Found

Stumbled upon an interesting movie during my internet wanderings recently–I honestly don’t remember how I even came upon it. It’s called A Genesis FoundIt centers on a archaeological dig in Moundville, Alabama during the 1930s by the Civilian Conservation Corps. Moundville, in case you don’t know, is a rather enigmatic ruin in Alabama consisting of ancient Indian burial mounds, some that are upwards of 60 feet tall. During the dig, the young members of the corps stumble upon a find that could have come straight out of Ancient Aliens.

Yeah, this guy again.

Yeah, this guy again.

Flash forward to the present day. It turns out that one of the young men on the project from the 30s wrote a best-selling book about what they found in the mounds. Unfortunately, no one believes him–including his own family who is pretty convinced that he was insane. Now his grandson is a student at the University of Alabama, located just down the road from Moundville, and a movie shoot with his brother now has him back in the field searching the mounds for what his grandfather left behind.

A Genesis Found was made for less than $50,000 dollars. Of course, it shows. But while there’s not a whole lot going on with special effects and some of the acting is–questionable–all and all, it’s not a bad flick at all. And some of the actors are actually pretty dang good. Luke Weaver stands out in that department.

If I had one complaint about the movie, it’s that it’s just too long. Nearly two hours is a lot for any horror movie, and the narrative–in addition to be being just a little bit confusing–simply doesn’t justify it. Thirty minutes less, and I’d probably recommend it much more wholeheartedly. As it is, I still think it’s worth a watch (it’s free on youtube, after all), particularly if you are a fan of Lovecraftian stories or Chariots of the Gods type speculation.

3 Stars

Watch the trailer for A Genesis Found.

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Starburst Magazine Reviews Limbus, Inc.

Starburst magazine, the world’s longest running magazine of science fiction, horror, and fantasy, has reviewed Limbus, Inc. The result? Well you can check it out for yourself…

Limbus, Inc. is a rare find. It’s a shared world anthology that manages to end up greater than the sum of its parts. It is an intelligent, occasionally touching, often disturbing and always compelling piece of literature. Highly recommended.

Here’s the full review.

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Listen To Jonathan Maberry Talk Limbus, Inc. With Publishers Weekly

limbusGreat pod cast interview with Jonathan and Publishers Weekly about Limbus, Inc. I think you’ll enjoy it quite a bit.

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On Originality

Something interesting happened yesterday. I was perusing the reviews of Limbus, Inc. and I came upon one that was quite fascinating. It was a so-so review—three stars—but in reference to my story they noted that they were able to predict the ending because it reminded them exactly of a movie they had seen. In the interest of not spoiling the film for everyone else, they declined to name it. Intrigued, and unable to figure it out, I sent them a message. They were kind enough to respond, and they told me the movie that it reminded them off.

And I got to tell you, after they named it, I saw the resemblance. So much so, that I’m not going to name it here, either, lest I ruin the story for you. But the most interesting thing of all? When I wrote the story, I had not seen this movie. And even though I knew something of its plot, it never entered my mind. Not once. Not at all.

I think there’s a valuable lesson there for writers. Of course, you don’t want your work to be derivative. You don’t want it to be just like everything else that is out there. But when it comes to originality, you can’t worry about it too much. You can’t obsess over it. Cause no matter how original you are being, it’s probably the case that it’s been done before, at least in some way.

All you can do is tell the story you’ve got, and make it as scary or romantic or funny as it can possibly be. 

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More Photos From Chernobyl

The last post was such a hit that I am adding more photos from Chernobyl. These are from a guy named Dennis Eskins. He is a fellow urban explorer who both has a fantastic camera and better finishing techniques than I do. I think you’ll enjoy some of his wide shots. For even more pictures, check out this website. This guy was also on the expedition with us.

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I’ve Moved To A New City!

It’s not quite Boston, but it’ll do…

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Haunted Tuscaloosa Featured on Paranormal Showcase!

hauntedHaunted Tuscaloosa is a good bit different from my normal fare, but I am very proud of it nonetheless. If you like ghosts–or just the history of interesting places–you should check it out. Today, it is featured on Paranormal Showcase, a page that has a lot of interesting paranormal pages from across the web. Check it out here.

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Did An Interview About Horror With Some British Folks Today

Very interesting stuff. Primarily, they wanted to know what I thought about the relationship between sound and horror. I’ll post the interview when it’s done. I think they’ve interviewed several people on the issue and are going to splice it all together later on.

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Came Upon This Review of J.R. Hamantaschen’s You Shall Never Know Security

I mean look at that awesome cover.

Here’s the review. It’s a book that’s on my list to review and (spoiler alert!) highly recommend, but I’ve been overwhelmed lately and have neglected to do so. I’m still gonna write my own, but until then, this review is worth reading and following. If you like your fiction dark and Lovecraftian, this is the best anthology out there, hands down, bar none. Read the review, and then buy You Shall Never Know Security for only 99 cents on Amazon. It won’t disappoint. And if it does, complain to me about it and I’ll give you a book.

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Buy Limbus Special Edition, Get My Books Free!

Hey guys. I wanted to remind you of this offer I made a few weeks ago. People have started claiming their free books, and I wanted to make sure you didn’t miss out. Here it is again.

limbusBuy a copy of the special edition. If you don’t know about the special edition, here are the details.

The Limbus, Inc. limited edition is a sewn, case-bound hardcover, that includes 60lb Creekside natural interior paper, a Corona leather-stamped case, and a 100 lb Litho Label Gloss slip cover.  It includes interior artwork from Alan M. Clark that is not a part of the regular hard cover or paperback editions.  An additional novella from Jonathan Maberry (over 8,000 bonus words) is added as well, to go along with some insights from author Anne C. Petty on the world of Limbus, Inc.

This is a numbered limited edition with approximately 250 being produced.  It will be autographed by all five authors (Jonathan Maberry, Benjamin Kane Ethridge, Brett J. Talley, Joseph Nassise and Anne C. Petty) along with the artist, Alan M. Clark.  The approximate page count is 344 pages.

Added to all that, you get an electronic copy of Limbus, Inc. for free! Now, I know a lot of you are probably pretty tempted by that offer, but I also know that it’s a tough economy out there. Times are tough, and maybe you can’t shell out fifty bucks for a single book, no matter how awesome it is.

That’s where this deal comes in.

If you buy a copy of the special edition of Limbus, Inc., simply send me a copy of the receipt you receive from Journalstone and I will kick in a copy of That Which Should Not Be or The Void–signed paperback or e-copy, your choice–for free. All I ask is for you to post an honest review of Limbus, Inc. and your free book on Goodreads or Amazon (or both). I’m limiting the print copies of the books I’ll give away to ten (I am, after all, a starving artist). But there’s no such limit on e-copies.

So what are you waiting on?

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Movie Remakes and the Horror Genre

When it comes to movie remakes, no genre is immune. When Casablanca, arguably the greatest movie ever (I prefer The Godfather) gets remade, you know that anything goes in Hollywood. But when it comes to remakes, there’s the horror genre and there’s everybody else. When it comes to our genre, nothing seems to be sacred.

Do I need to list them to prove my point? Let’s put aside remakes that make sense. By the time The Mummy came along, it had been 67 years since the original first took the silver screen. And the 1999 version was demonstrably different than the original. It was a film for a different era and a different group of people. Same thing with new takes on Dracula or the werewolf. But most remakes? Not so much.

Take Psycho. Did the world need a remake–and a shot for shot one at that–of one of the greatest horror films, nay, the greatest films, of all time? Does anyone hold out hope that the planned Susperia remake–reportedly shelved–will even approach the original? What about The Hills Have EyesLast House on the Left? Friday the 13th? Nightmare on Elm Street? Remakes, re-imaginings, reboots. They are all the rage, and most people hate them. Which brings me to Evil Dead and the reason for this post.

Unless you’ve been living under a rock, you know that the Evil Dead has been remade, complete with the endorsement and participation of Bruce Campbell and Sam Raimi. I haven’t seen it, but initial reports are not promising. But I will go see it, and that’s the rub.

Movie studios are like any business. They want to make money, and they want to stay in business. And it’s much easier to sell a known quantity than it is a new invention. The name Evil Dead is worth untold millions. If the same film had a different name, it might not even make it into the theaters. We, the buying public, fall right into their trap. We go and spend our money on movies that too often disappoint us. We willingly expose yourself to movies that sully a part of our childhood–because no matter how much you try, you can’t forget that awful Nicholas Cage version of Wicker Man, any more than you can forget that The Matrix has two sequels  So the cycle repeats itself, and worthy movies are pushed out to make room for sequels that provide a guaranteed return.

But of course, I am as much to blame as anyone. I’ll be seeing the new Evil Dead soon. Afterwards, I’ll post a review here, one that I hope involves me eating my words. But I doubt it, and I curse my own contribution to a problem that isn’t going away anytime soon.

Interested to hear your comments and solutions, if you have them…

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A Message To All Of You That Bought My Books

First, thank you. Even at 99 cents, I know that times are tough, and your willingness to spend your money on me is an honor. This weekend was a tremendous success. We sold hundreds of books (both That Which Should Not Be and The Void were in the top 100 in horror, with TWSNB cracking the top ten). This site received thousands of visitors, more by far than usual. Now I want to ask one more thing of you.

People often ask me what they can do to help with my writing. I always tell them the same thing–buying my books is wonderful, but your words are far more valuable. When you finish with the books, tell your friends about them. Write a review on Amazon or Goodreads. Most authors don’t have a multi-million dollar ad agency. Most authors don’t have a publicist. I certainly don’t. All I’ve got is you, the readers. My success depends on you, and I am so thankful for all you do.

Now go read, and beware the shadows…

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Last Day To Get That Which Should Not Be and The Void For 99 Cents!

This your last chance to pick up That Which Should Not Be and The Voidboth available on Amazon for just 99 cents. And if that’s not enough, ALL of Journalstone’s award winning novels–Ter0v0las,Twice ShyJokers Cluband The Devil of Echo Lakeare also available for 99 cents. That’s not even enough money to get a 20 ounce drink these days. Buy a book. I promise you’ll love it.

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The 99 Cent Sale Continues!

Am I insane? Are you? One of us is if you don’t pick up That Which Should Not Be and The Void, both available on Amazon for just 99 cents. And if that’s not enough, ALL of Journalstone’s award winning novels–Ter0v0las,Twice ShyJokers Cluband The Devil of Echo Lakeare also available for 99 cents. That’s a lot of great books for less than six dollars. Buy them. What do you have to lose?

Time is running out!

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My Journey to the Reactors of Chernobyl

Early one Saturday morning in March, I left my hotel in Kiev and headed down to the McDonalds (cause it is always McDonalds) to meet up with representatives of Chernobylwel.com, the company that would be taking me on an adventure unlike any other, a trip into the radioactive lands of Ukraine. After several hours (the site, fortunately for the people of Ukraine, is a hundred kilometers from Kiev), we arrived at the border of the city of Chernobyl.

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It was a city that was very proud of its selection as host to what was to be the largest nuclear power plant in the world, with twelve reactors providing enough electricity to light up all of eastern Europe. They only finished four. Here’s number five.

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It is as they left it, 27 years ago, in the middle of construction. The entire facility, including the cranes used for construction, is irradiated. Dismantling it and selling it for scrap was not an option, and the cranes themselves are forever useless. Thus, they simply left it all in place, until one day time and the elements tears the whole thing down. Here are the half-constructed cooling towers.

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Within sight, reactor 4.

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Reactor 4 is on the left. Within the concrete and steel shell that now covers it–called the sarcophagus–lie the remains of the nuclear reactor that melted down during a test of redundant safety mechanisms. Firefighters and other personnel rushed into the burning nightmare that must have been the inside of Chernobyl, on a suicide mission to contain the fire, open the cooling valves, and prevent the disaster from being one that would render Ukraine, and indeed much of central Europe, uninhabitable. They succeeded, though they lost their lives in the process.

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The inscription reads, “To Those Who Saved The World.”

But the work of cleanup continues on, for what’s left of the reactor remains.

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5,000 people work rotating shifts to maintain the sarcophagus and prevent a new disaster. They eat at a diner less than a quarter of a mile away from reactor 4, the object of their employment always within sight. We ate lunch with them. Before doing so, one must pass a radiation test, one of five that we underwent while in the area.

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If you fail, they kill you. Or something. It was never quite clear what would happen if the green light failed to come on.

It is critical that the sarcophagus remain intact. “Fuel containing masses”–nuclear lava to the uninitiated, what you get when a reactor literally melts down–fill the building, having flowed red-hot through pipes and down hallways. Being in their presence–even for a few moments–is deadly. They will remain radioactive for 100,000 years, give or take a century. The sarcophagus, meanwhile, is falling apart. Enter Novarka.
This is the new sarcophagus, 25% finished.

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When completed, it will be slid by railroad tracks over the current tomb. At that point, the ends will be sealed, and the next phase of cleaning up the worst nuclear disaster in history begins–dismantling the plant and removing the nuclear waste.

But it is too late for Prypiat and the 50,000 residents who called it home. They were forced to leave with almost no notice, told to take supplies for the three days that they would be gone. Of course, they were never allowed to return. Their city is the quintessential ghost town, a modern-day Pompei. Here are some of the hundreds of images we took, a pale shadow of the awe-inspiring emptiness of the city.


It was quite a trip, one made possible by the nation of Ukraine.

And so we left Chernobyl behind, a place that we will never forget and that will never be completely the same.

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