I’ve seen a lot of horror movies over the years, and the lesson I’ve learned is that if your kids or your spouse tell you there’s an evil spirit haunting the house, believe it. Under the Shadow is yet another example of that principle in action.
Shideh is a mother in the war-torn Tehran of the 1980s. Not only are the Iraqis threatening to destroy the city with Scud missiles, the Revolutionary Guard is everywhere, enforcing the strictest version of Islam imaginable. That fact has cost Shideh her chance at becoming a doctor, and when her husband is drafted to the front lines of the ongoing war, she is left broken-hearted and alone to protect their daughter. Every night, the threat of death by missile strike hangs in the air. When supernatural beings begin to threaten her sanity and her daughter’s safety, Shideh reaches her breaking point.
The best horror tells a story beyond the surface scares, and there’s no other genre more readily suited to addressing society’s problems and injustices. Iran, a modern state ruled by unpopular religious zealots, presents a deep well from which to draw. One of the best horror movies in recent memory, A Girl Walks Home Alone at Night, takes place in the same setting.
But while Iran adds color to that unique vampire flick, it is a very real character in Under the Shadow. The tension is palpable from the first moment, and you can feel the stress and strain as Shideh sees her dreams vanish because of her political opposition to the revolution, as her husband is forced to leave her to go to the front, as her daughter begins to see things in the night. The scariest scenes in this movie are not supernatural; they are scenes of war engulfing a city already under the thumb of tyrants.
Under the Shadow is, in some ways, a fairly standard haunting flick. It’s the setting that elevates it and makes the film well worth watching for anyone who likes their horror with depth.