31 Days of Halloween: Dixie Drug Store (JuJu Mix)

I have a special treat for you today. Earlier in the month, I highlighted Dixie Drug Store, perhaps my favorite horror-themed song. But here’s the thing–there’s a longer version with more verses. Crazy as it might sound, that version was more or less unavailable–for purchase, for streaming, for anything. Until now. I knew the version was included on a promotional CD that came out some 25 years ago. I finally found a copy–in the Netherlands. I ripped it, stuck it on a video with the CD cover as the art, and here it is. Ah, the magic of the Internet. Enjoy.

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31 Days of Halloween: An Interview with William Holloway, Author of The Immortal Body

William Holloway is the best new horror writer publishing today, and recently he released the first novel in his six-part Lovecraftian epic: The Immortal Body. William was kind enough to spend a few minutes answering my questions. Pay attention folks, because soon you’ll only find him in the pages of high brow literary publications that charge an access fee. He’s that good.

Let’s start with the most important thing—tell us a little bit about your most recent book.

The Immortal Body is the first novel of the Singularity Cycle, which is a six part Lovecraftian novel series. The first two novels; The Immortal Body and Song of the Death God have been completed for a while and I’ll be done with the third one in the next few days, then it’s on to the forth. I don’t want to spoil the surprise too much, but suffice it to say that each novel, though part of the same overarching story, are very different creatures.

The Immortal Body is largely told via the POV of the police investigating a series of nightmarish murders. Their real challenge is for them to see the thing that is happening in front of them, to see the impossibility of it and once they have crossed that threshold, to not go mad. There’s a lot happening in this book, and granted, it’s not for everyone. It’s a dark novel, I think as dark as one can be without wallowing in nihilism. It’s bloodier than most of what we see these days from Lovecraftian horror novels, and goes places that most horror will not go. That said, there’s an animation of the gritty and the grimy and the banality of everyday human evil and suffering that contextualizes it into the cosmic.

The word Lovecraftian gets thrown around a lot. But while The Immortal Body has Lovecraftian elements, it is also a mythos unto itself. Do you consider yourself Lovecraftian, and has Lovecraft influenced your writing?

Lovecraft has influenced my writing more than any other writer, and yes, I definitely consider myself a Lovecraftian though I don’t know that I’ll ever do formal Lovecraftian Mythos writing. The Wendigo made an appearance in Lucky’s Girl, but I can’t see myself writing a novel specifically using Lovecraftian Mythos deities. But, who knows? Maybe one day.

Who else?

Clive Barker and Brett Easton Ellis deserve honorary mentions as well. Both of them taught me that there really are no limits.

“Weird Fiction” has always been a genre dominated by the short story. Lovecraft, Blackwood, Laird Barron are masters of that form. But you seem to prefer the novel. Any reason?

I’ve tried, don’t get me wrong, but I can’t seem to write a short story. In fact I seem to be constitutionally incapable of doing so. My stories just aren’t short. It’s a talent I envy.

I know The Immortal Body is part of a series. Do you know how many books are going to comprise that series? Do you have the whole story worked out in your head, or does it come to you as you write?

It’s going to be a six part series. I have the general idea worked out of what will happen in those stories and how the stories link together, but as you know, things come to you while you’re writing. I’ve tried using really structured plans for writing a novel but when the words start to flow, that plan disintegrates. Ultimately I end up with what I want, but the means to get there changes along the way.

Do you have a George R.R. Martin plan? In other words, what happens if you die before you finish it?

Well, without giving a way too much, that particular problem is solved by the very structure of what I’m writing. But, if that day ever comes, I hereby pass the torch to Brett J Talley to complete my work.

You’ve seen the good—and bad—side of publishing. Tell us a little bit about how you got to where you are.

One of the worst spots that you can find yourself in is to have written a book that you know has merit, and then to confront the fact of publishing without a roadmap. That’s exactly where I was with The Immortal Body a few years back. There’s a bit of backstory to this and most of it has to do with naiveté. I wrote The Immortal Body (and about half of Song of the Death God) in in a short frantic blast. I never even thought about publishing it. Eventually I ended up on a friend’s self publishing vanity label. And then, nothing. I realized at that point that no one was buying it because no one knew it was there, so I started mailing out copies to people whose names I found on the Lovecraft eZine. You were one of them. Most of them never responded, but a few did, yourself included. Through you I found out about this guy in England named Graeme Reynolds who wrote a werewolf novel called High Moor. I read it and I loved it. I friended him on FaceBook and he read The Immortal Body and he liked it a lot. Shortly after that I wrote Lucky’s Girl, and sent it to Graeme because Lucky’s Girl had werewolves in it, and Graeme is the King of the Werewolves. I was looking for pointers on what to do with it, not to actually submit it. It hadn’t occurred to me that he’d want to publish it, but he did, and of that I count myself very fortunate.

Do you have any advice for new writers just starting out?

You have to find your people! Where does your audience hang out? Is there a website they frequent? A dark alley somewhere? I made zero progress until I found The Lovecraft eZine. And, you also have to remember an important rule; as much as it’s nice to be read by other authors, to be considered that guy that other authors think is super duper, you’ve got to focus on finding and keeping your audience. Other authors are not your audience. What other authors can do is give their seal of approval to your work, but ultimately you’ve got to move past them and carve out a niche amongst paying readers.

Who are your favorite authors working today?

Adam Nevill is the best writer in horror today. That’s a well known fact in the UK, but the US hasn’t caught on to that yet. Then there’s these Lovecraftian guys; Brett Talley, Rich Hawkins, Scott Thomas.

What’s your favorite scary movie?

Probably Alien.

Halloween is coming up. Any traditions?

Sadly, no.

The Immortal Body just dropped, but what should we look forward to next from you?

Six months from now Song of the Death God will be released. This is the Second novel of the Singularity Cycle which will ultimately be a six novel Lovecraftian epic. Again, without give away too much, each novel is very, very different, but they are all part of the same continuum.

And where can folks find you on the net?

Facebook. I don’t have an author page but I’ve been told I should get one.

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31 Days of Halloween: Five Shorts To Read This Season

So we are getting closer to the big day, and some of you–yeah, I’m looking at you–probably haven’t done anything to celebrate. And while it’s still possible for you to catch a movie or two, time is running short for any literary outings. But fear not! Well, do fear, but only in the Halloween way. I digress. Some of the best horror fiction comes in the short story form. Here are five short stories that are guaranteed to satisfy your need for some thrills and chills this season.

  1. Hot Tub by Hal Bodner: From the anthology Hell Comes to Hollywood II: Twenty-Two More Tales of Tinseltown Terror, this quirky tale is also the most recent on the list. Hal Bodner is the master at comedy-horror and his talents are on full display in “Hot Tub.” The best piece of short fiction published last year and a Stoker nominee to boot, do whatever you need to to track down this gem.
  2. Mourning House by Ronald Malfi: Yeah, yeah, I know, I know. I talk about this one all the time. But I can’t help it. I love it. A haunted house story to reinvigorate haunted house stories, Malfi is a master and this is a wonderful introduction to his work.
  3. The Wendigo by Algernon Blackwood: A true classic, I was shamefully unaware of this story until very recently, and I put it on the top of my Halloween reading list this year. Magic, unnerving, spooky, “The Wendigo” holds up amazingly well despite being over a hundred years old. Available for free at the link above, I would advise buying the audiobook narrated by Felbrigg Napoleon Herriot. And yes, it’s every bit as good as that name would suggest. Listen to it, and then you too can say that you have seen the Wendigo.
  4. The Statement of Randolph Carter by H.P. Lovecraft: I could have put a dozen or more of Lovecraft’s stories in this space, but I wanted to share with you the one that first hooked me on his writing, and my sentimental favorite of his ever since. There is a purity to this story–of horror, of plot, of the final haunting words–that make it one of Lovecraft’s most evocative stories. Check it out, and then let me know your favorite.
  5. The Yellow Sign by Robert W. Chambers: The story that, as part of a quartet of works mentioning that enigmatic work, The King in Yellow, introduced us all to a world of madness and insanity that continues to inspire artists of every strip. Read it, but beware the yellow sign!

And a bonus: Nine Yards of Other Cloth by Manly Wade Wellman: The best story by a legend of horror that few know, this story is as melodic as a song and as haunting as the voice of a long lost lover. It introduced me to John the Balladeer and Wellman. Now it’s your turn.

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31 Days of Halloween: My Interview about The Gods of H.P. Lovecraft

You’ve heard me talking about an amazing anthology I’m a part of–The Gods of H.P. Lovecraft. I think it’s going to be something else, and I can’t wait till it is officially published. But while you wait, check out this interview I did with the Readers’ Advisory Guide for Horror. I think you’ll enjoy it.

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31 Days of Halloween: Review of The Canal

The Canal is one of those movies you’ll occasionally see on lists with titles like “10 Great Horror Movies You’ve Never Heard Of” or “Best Horror On Netflix,” and I must say, it lives up to the billing. The Canal is not without its flaws, but the last 15 minutes or so of the movie are worth the price of admission.

The Canal employs my favorite plot device–the unreliable narrator. David catches his wife cheating on him, and he’s never quite right after that. When she turns up dead, suspicion naturally falls on him. David sets out to find the real killer and gradually comes to believe that a ghost may be responsible for the murder, as well as a number of others that have occurred in his very house.

The Good: This movie is creepy and unsettling, in a way that is somewhat difficult to describe. From the start, the director infuses each scene with a sense that something just isn’t right. It’s that feeling you get when you find yourself constantly looking over your shoulder, for instance. That’s what this movie has going for it. The house is creepy. The canal is creepy. The public bathroom–super creepy. So when weird things happen, they are more frightening than they might be otherwise.

The Bad: This is going to sound strange, but the sound guy wasn’t great. There are times where you can’t hear the actors at all and where the sound effects are washed out. This has the added bonus of forcing you to turn up the volume considerably, heightening the effectiveness of the jump scares. But more often than not, it’s just annoying. More substantively, there’s a lot going on in this movie and not enough time or depth to really flesh it all out. Is it demons? A serial killing ghost? A cult of child sacrificing devil worshipers? Who knows? But there’s really no need to have any of that mess involved in the movie at all. Frankly, it just distracts from whats going on and doesn’t add to the plot.

The Takeaway: Here’s the thing, with about fifteen minutes left in the movie, I was thinking three stars. But those last fifteen minutes involved enough crazy to bump it up to a four star film for me. I’m not going to say more, but you’ll understand after you watch. All and all, a good one for your late October watch list.

4 Stars

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31 Days of Halloween: Dragula by Rob Zombie

You know, there aren’t THAT many horror-themed songs out there, and even fewer horror-themed bands. White Zombie was one of the best, and Rob Zombie’s solo-album was deliciously fun. The most famous track from that album is below. I loved it when it came out. I love it now. Enjoy

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31 Days of Halloween: Review of Trick ‘r Treat

Trick ‘r Treat is one of those movies where you fall into one of two camps. Either you’ve seen it–in which case you know exactly what I’m about to say. Or you haven’t, in which case you need to go out and see it immediately. A true cult classic, I’ve loved Trick ‘r Treat since my first viewing, and it is now an indispensable part of my October routine.

One story told in four parts, Trick ‘r Treat is a love letter to those who love Halloween. Set in a fictional town that does the holiday bigger than anything this side of Salem, Massachusetts, we begin our journey with a couple returning home after a night of holiday partying. The husband respects the spirit of the season, but his wife, tired and ready for bed, does not. She blows out the jack-o-lantern–a cardinal sin. But someone is watching, and he is one who will punish those who transgress on Halloween night. The story takes off from there, with twists and turns that can only be fully appreciated on a second viewing. Frankly, the movie is worth a watch for Anna Paquin’s story line alone.

I’ve been more vague than usual, and intentionally so. This movie should not be ruined for you. If I’ve ever steered you towards a horror experience you’ve enjoyed, take my advice and watch this movie. Just make sure your jack-o-lantern stays lit till the credits roll.

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31 Days of Halloween: Pontypool

Watched a neat little horror movie on Netflix recently called Pontypool. The movie tells the story of the eponymous town of Pontypool  and a bizarre virus that is spreading through the community, causing widespread chaos and rioting. But this is not your typical zombie (infected) flick. The vast majority of the story is told from a small, isolated radio station where the station’s manager, production assistant, and star D.J. are hold up, describing to the listeners what they are hearing from reporters in the field. Adding to the interesting take (spoilers ahead), the virus is transmitted by words rather than microbes, a nice twist on the notion that words can induce action in the people who hear them. Good movie. I recommend it. 

4 Stars

Bonus: The first lines may be the best part of the movie. I reproduce them here.

Grant Mazzy: Mrs. French’s cat is missing. The signs are posted all over town. “Have you seen Honey?” We’ve all seen the posters, but nobody has seen Honey the cat. Nobody. Until last Thursday morning, when Miss Colette Piscine swerved her car to miss Honey the cat as she drove across a bridge. Well this bridge, now slightly damaged, is a bit of a local treasure and even has its own fancy name; Pont de Flaque. Now Collette, that sounds like Culotte. That’s Panty in French. And Piscine means Pool. Panty pool. Flaque also means pool in French, so Colete Piscine, in French Panty Pool, drives over the Pont de Flaque, the Pont de Pool if you will, to avoid hitting Mrs. French’s cat that has been missing in Pontypool. Pontypool. Pontypool. Panty pool. Pont de Flaque. What does it mean? Well, Norman Mailer, he had an interesting theory that he used to explain the strange coincidences in the aftermath of the JFK assasination. In the wake of huge events, after them and before them, physical details they spasm for a moment; they sort of unlock and when they come back into focus they suddenly coincide in a weird way. Street names and birthdates and middle names, all kind of superfluous things appear related to each other. It’s a ripple effect. So, what does it mean? Well… it means something’s going to happen. Something big. But then, something’s always about to happen.

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31 Days of Halloween: Lake Mungo

I’ve done a lot of new reviews this October, but I don’t want to neglect some films I’ve already reviewed that maybe you’ve missed. So today and tomorrow I am focusing on two of those. Now, Lake Mungo.

For a very long time, I have been on a quest to find a truly frightening, truly unsettling, scary movie. It’s not an easy quest. The last one to achieve that lofty bar was The Ring, a movie that required a high degree of suspension of disbelief, but was pretty horrifying if you were able to accomplish it. I have seen many unsettling movies in the past few years—Irreversible, Inside, Audition to name a few—but these movies, while disturbing, aren’t all that frightening.

When I started Lake Mungo, I wasn’t expecting to find anything that was able to quench my thirst for horror, and maybe that’s why I ended up enjoying it so much.  A movie that was part of the failed and, on my part at least, much missed, After Dark Horrorfest, Lake Mungo was a pleasant surprise, one that stuck with me well after the cameras stopped rolling.

Lake Mungo is a mockumentary, kin to, but not the same as, the recent spate of “found footage” films that have graced the big screen for the last decade. It incorporates many of that sub-genre’s strengths, while lacking its fundamental weakness—would anyone really be filming in this situation? I give you the movie synopsis:

Sixteen-year-old Alice Palmer drowns while swimming in the local dam. When her body is recovered and a verdict of accidental death returned, her grieving family buries her. The family then experiences a series of strange and inexplicable events centered in and around their home. Profoundly unsettled, the Palmers seek the help of psychic and parapsychologist, Ray Kemeny. But as their investigation continues, they soon discover they didn’t really know their daughter at all.

Lake Mungo starts off slow. Real slow. The first fifteen minutes or so were not easy to get through, but I’ll forgive the filmmakers because the relationship they establish with the viewer in those beginning scenes probably does a lot to accentuate the level of tension and the level of participation by the audience.

The acting in Lake Mungo is of a quality one doesn’t often see in a horror movie. The actors are required to portray ordinary people going through the extraordinary pain of losing a child. And let me tell you, they pull it off. It is nearly impossible to watch Lake Mungo and not believe you are watching a real documentary. And that’s what makes the movie so creepy.

There are no jump shots in this movie. There’s very little gore. There’s nothing about Lake Mungo that is particularly scary. But the totality of the experience is decidedly unsettling. By the end of the movie, my hair was standing on end and I was beginning to look over my shoulder, that feeling that I was not alone starting to creep in.

I think the brilliance of Lake Mungo lies in its mid-movie twist. Up until that point, Lake Mungo seems like a pretty standard paranormal haunting film. But then everything changes, and everything gets much weirder, much more interesting, and much more scary. And that’s the point, isn’t it?

I would definitely recommend Lake Mungo to horror fans, particularly those who enjoy paranormal frights. It’s not a perfect movie, and I am sure some people will find it to be boring in the extreme. But if you let it take hold, I can promise you it won’t let go.

4.5 Stars

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31 Days of Halloween: The Houses That October Built

Earlier this month, I reviewed The Taking of Deborah Logan, a movie that used the found footage gimmick in the best possible way. The Houses That October Built is an example of a movie that exhibits some of the genre’s worst traits.

The movie attempts to set the stage for why everyone is constantly filming. The premise is simple; a group of friends go on a road trip, intent on finding the darkest, most horrifying haunted house of them all. Thus, they film the proceedings. Unfortunately for them, they also manage to piss off most of the people involved in the industry. When they come upon the most extreme horror group of them all–the Blue Skeletons–they are made to pay for their disrespect.

The first half of this movie is boring. The second half? Stupid. While it follows–to some extent–that the friends would record their escapades, the Blue Skeletons obsession with filming their crimes is utterly inexplicable. And the “we’re going to continue filming even thought it makes no sense to do so” cliche is in full force. It’s not that the acting is bad; it’s actually quite good. The movie just doesn’t make all that much sense, and even when it does, it isn’t all that scary. This movie stole an October night from me that I will never get back.

As horror movies–or even Halloween movies–go, this one is pretty bad. It might have been the longest 90 minutes of my life, and not in the good way.

2 Stars, and I’m being generous.

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31 Days of Halloween: Why Zombies?

If you write horror, you’ve heard it—zombies are done, finished. And yet year after year, zombie novels are best sellers, The Walking Dead remains the most popular show on television, and zombie movies are consuming hundreds of millions of dollars and Brad Pitts’s career. So is it a passing fad, or is there something about the zombie genre that keeps it going, year after year, particularly in the first couple decades of the new millennium?

For me, the answer is obvious—zombies are the ultimate horror. Think about it. What makes horror scary? Take every monster and you’ll get different answers. Plagues destroy civilization, taking everything from us that it took a thousand years to build. Werewolves embody the animalistic side of humanity, the uncontrolled rage in us all. Vampires are many things—repressed sexuality is a popular interpretation—but for me the scariest thing about them is that they can take our friends, our family, and turn them against us. And death, death is always there, in every horror movie, the ultimate fate that awaits us all.

Zombies take all of that, mash it together, and serve it back to us in one delicious pile. Death? You got it, but not just any death. The kind of death where family members come back to kill the ones they love. And not just kill them, eat them. Think about that. How horrifying it is. Think of the person you love the most. If you are a zombie, you WILL eat them. You’ll want nothing more than to do that. And if they became a zombie? No matter how much they love you, no matter how much you love them, they will try and kill you. Plague? Disease? End of civilization? Zombies have that in spades. And it’s not just that civilization falls, but humanity often becomes the greatest of all enemies. Who’s the darkest villain in The Walking Dead? Not the dead, but the Governor. In fact, who are the walking dead? Are they the zombies, or the ones who are left behind? Is it any wonder that when the World Trade Towers fell, zombies rose?

The undead capture it all. All of our fears, all of our darkest thoughts, they are encapsulated in the zombie film, in the zombie story. And that’s why they will never go out of style. Humanity’s obsession with death is immortal. So too are the walking dead.

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31 Days of Halloween: Review of Jokers Club by Gregory Bastianelli

Dark secrets are like dead bodies—sometimes, they refuse to stay buried. It isn’t often I read a book that I have trouble putting down, but the Jokers Club grabbed my attention and wouldn’t let go. Gregory Bastianelli is a master at creating rich and fully-developed worlds and then inviting us to explore them with him. In Jokers Club, Bastianelli weaves what is seemingly a straightforward tale—years ago a group of friends were involved in a horrible accident, one that they have kept secret for all their lives. But now, at their first reunion in a decade, they begin to die, killed one by one at the hands of a mysterious assailant. Is one of their members the killer?

Even on its own terms, the tale that Bastianelli presents is rich and detailed enough to make a fine story, but he is not content to let us off so easily. Instead, he gives us a narrator in Geoff who is haunted by both the past and a tumor that is slowly consuming his brain. The story that he tells us—both in the form of his contemporary thoughts as well as his writings about the things that happened when he and his friends were boys—is often uncertain. The pictures Bastianelli expresses through Geoff only adds to the otherworldliness of the book’s style, creating a setting where even a stroll down the town boardwalk is a mysterious mystical adventure.

I recommend Jokers Club without reservation. My only wish is that Bastianelli had written more, for when we take the last turn and absorb the final twist, you are left wanting the story to continue.

5 Stars

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31 Days of Halloween: Thriller by Michael Jackson

Continuing the October free music Friday tradition, here is the greatest horror music video of all time–Thriller. I owned this record as a kid and listened to this song a thousand times. More than anything else, it is responsible for my love of horror.

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31 Days of Halloween: The Spaces Between Space by Brett J. Talley

Originally published at The Lovecraft eZine. Audio download available here.

The Spaces Between Space

Brett J. Talley

I must tell you, Gentlemen.  Before we begin I want to be perfectly clear.  I have no memory of how I came to be in the particle accelerator beneath M.I.T., or whose blood is this that stains my clothes.  Whether it’s Dr. Oxford’s, and where his body has gone if it is.  All I know is this – Dr. Oxford is dead.  And even the darkest of beings longs to return home.

Dr. Oxford and I were friends, this is true.  But I had not spoken with him in the better part of five years.  I see your interested glances, but I can assure you that there were no ill feelings between us.  It was simply that work had consumed both of our lives, and there was no time for friendships, no matter how good they may have once been.

You ask me what happened to Dr. Oxford.  You question me as if I should know.  Given the circumstances I suppose that is not surprising.  In truth, I do not know what happened that accursed night.  But I know what I believe.  And that, my friends, I will reveal to you now, though I am under no illusions.  When you hear my story, you will likely think me mad.  Oh, were it so!  The madman has the comfort of living in a world of illusion.  He need not fear the shadow, the thing that moves in the darkness.  That fills the spaces between space.  Lurking in the abyss and the void, in the dark places between the stars.  No, to be mad would be comfort.

If you are to know what took Dr. Oxford, then you must first know what he believed.  Oh yes, I know you are aware of his reputation.  I know that your research has told you many things.  That Oxford was renowned in the field of astrophysics.  That he had been asked to lead the Large Hedron Collider project and had accepted.  That he was respected in all corners of science and that his theories were as praised as they are now mainstream.  That is the Dr. Oxford that you know.  It is not the one I know.  It is not the face that he revealed to his closest friends.  No, Oxford believed other things.

I suppose you have heard of what some call dark matter.  No?  Well, maybe that is not too surprising.  I don’t want to bore you, gentlemen, so I’ll keep it short.  The universe as we know it functions in a specific way.  A regular way, a predictable way.  It is because of that regularity that we can do things that generations before would have viewed as no less than magic.  Ah, but there is a problem with our theories.  We know how the universe works, but we don’t know why.  The fact is, there’s not enough of the everyday material in the world we know to make it function as it does.  That leaves us with only one conclusion.  There must be something else.  Something unusual, exotic.  Something that we do not understand.  We call that something dark matter.  That is what fills those spaces between space.  You see, the light could not be without the darkness.  And reality as we know it could not be if the darkness ceased to exist.

Most of my colleagues leave it there.  This dark matter simply is, somewhere, somehow.  It makes the planets move about the sun and the sun turn round the center of the galaxy and that is that.  But Dr. Oxford had a more imaginative view.

Ordinary matter, in what form does it exist?  The answer is simple.  It is the rocks and the trees, the dirt beneath your feet and the air that you breath.  It is the sun that shines in the sky and the planets that whirl around it.  It is the cock that crows in the morning, and the birds that sing at night.  It is you and it is me.  Dr. Oxford simply asked the obvious question.  If ordinary matter does not exist in some undifferentiated mass, why should dark matter?  I can see that even you recognize the implications of that suggestion.  Another universe, not one theoretical or hypothetical, not some alternate dimension better suited for fiction than reality.  No, one here, just beyond our vision, hiding in the darkness.  And why not?  Why not dark stars and dark worlds?  And even dark life.

Your skepticism does not surprise me.  Man sees the world and he believes that what he sees is all that can be.  And if you had told someone five hundred years ago that on every surface live millions of beings, so small the eye can not see them, he would have called you mad.  And yet today we accept that simple truth without question.  And why?  Because now we can see it, of course.  And once we see, we believe.  We are all like Thomas of old – ever doubting.  Dr. Oxford knew that others would react just as you have.  That they would laugh at him.  That he would lose all that he had built, all that he had created.  And so he decided to help them see.

That is why he took the position with the LHC.  During the day, he followed the program’s specifications, performing the experiments as they were laid out.  Searching for certain particles that are important to science but matter not one whit to the rest of the world.  But at night he pursued his true goal.  Then he sought a breakthrough that would change the way we view not only ourselves, not only our world, but everything that is.  He sought to see what is beyond.  To see the substance of shadow.  And gentlemen, I tell you now, I believe he did see.

He called me yesterday, three days after the massacre.  I had seen the news.  How could one miss it?  The heart of the Collider itself had been smashed.  Six scientists were found slain in the control room.  I knew most of them.  They had been handpicked by Oxford, his true believers.  But Oxford was not among them; he had disappeared completely.

Details were scarce at first.  We knew that they had died but not how.  Then the rumors started.  Wild.  Fantastic.  Insane.  As rumors often are, more diabolical with every telling.  But what scared me the most was that I knew there must be truth there.  A kernel of fact.  And if even part of what people said was true, then it was too horrible to imagine.  Bodies ripped to shreds, some so mangled that they could only be identified by the badges they wore.

Some said Oxford had gone crazy.  That he had murdered his six colleagues.  In a way, that would almost be comforting to believe.  But how could you?  Forget that Oxford was my friend.  Forget that I could never believe him capable of murder.  It was a physical impossibility.  How could one man, not frail but old nonetheless, kill six young and healthy men and women?  How could he even begin to do the things that were claimed?  To literally obliterate the bodies?  To turn them into pulp and blood and bone.  No, it could not be him.  And that was the worst thought of all.  Then I received the phone call.

It was Oxford, and there was fear in his voice.  He had come to Boston, but how he had gotten to this city was a mystery to me.  I knew that the authorities were looking for him.  There was no way he could have boarded an international flight without being detected.  But he was here, and he wanted to meet.  It was that palpable fear that seemed to drip off of every word that convinced me.  I suggested several places, but he accepted none.

“It must be a sunny place,” he said.  “Bright.  Full of light.”

We chose the Common.  We would meet there at noon, when the sun was highest in the sky.  I arrived early and waited.  When I saw him, my first thought was joy.  Relief.  Happiness that he had survived.  That he was really there.  But I could not hold those feelings long.  Oxford had seen something.  And that cyclopean terror had shattered him, sapping the strength that remained in his body.  It had made his eyes wild and fearful, and had drained the vibrancy from his cheeks and the color from his hair.  He grasped my hand and I could feel him shaking, shivering as if it were the bitterest day he had ever known.

“James,” he said, “thank God you came.”

I did not know where to begin or what questions to ask.  There were so many.

“Dr. Oxford,” I said, “everyone is looking for you.  We thought you might be dead.”

“I believe I may be, though I can’t be sure.”

“What?” I whispered.  Whatever horror he had witnessed that awful night in the depths of the facility, it had broken his mind.  “Dr. Oxford we must get you to the authorities.  And then to a hospital.”

“No, James.  The authorities would never believe me, and I fear I am beyond any help the hospital might provide.  I do not know why it spared my life.”

It?”

“I was right, James.  I was right.  God curse me I was right.  We had been running experiments nightly, attempting to probe the dark matter in whatever form or shape it might take.  Three nights ago we had a breakthrough.  Three nights ago, we saw . . .  We saw.”

“What did you see?”

By now Dr. Oxford was shaking so fiercely that I feared he could not stand.  In his eyes I saw him relive that night, and I thought he might break from it.

“It cannot be described,” he said.  “It cannot.  Only seen.  But pray God you never see it.”

“But Dr. Oxford I don’t understand.  Why are you here?”

“It brought me here, James.  It wants something, but its mind is too vast.  It’s too vast and I cannot know what it seeks!  But it fears the light.  It fears the light as darkness must and I was able to escape.  But it will find me again.  It will find me.”

To that point the strong, noon-day sun had shone down upon us.  But as Dr. Oxford spoke a wind began to blow, and it drew forth clouds.  Steel-gray clouds.  Dark and ominous clouds.  And then I felt as much as saw a shadow fall upon us.  Dr. Oxford’s eyes went wide.  His mouth began to shake.  He reached out and grabbed my arm and I knew that if I were not there he would no longer be standing.  But he was not looking at me.  No.  His gaze was just beyond my shoulder.  I felt . . . cold.  And then the hairs raised on my neck and I knew.  Whatever had haunted Oxford stood behind me then.  In my mind I thought I could feel its breath, cold and full of hatred.  And in the corner of my eye I even saw it, though I did not have the courage to turn and look.  I saw just the form of it.  The nebulous blackness, the pulsating, glowing darkness.  The bulbous shadow.  The being that will plague my night-haunted dreams until this life should end.

You ask me what happened then?  Were that I could say gentlemen.  I found myself as you found me.  Standing beneath M.I.T. in my laboratory.  The particle accelerator running in a configuration I had never used.  Whirling and churning.  Started not by my hands.  And then there was the blood, the blood that covered all.  You’ll never find Oxford.  And you’ll never find his killer.  For whatever killed Oxford is the very thing that took us to my laboratory.  That used me to gain entrance and Oxford to set the parameters for the accelerator just as he had before.  Whatever dark eminence surrounded us, it is gone now.  Gone home.

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31 Days of Halloween: Recommendations for the Season

So we are half-way through the greatest month of them all, and I bet some of you still haven’t done anything horrific for the season. Below, here are a few recommendations for how you can both support up and coming horror writers while also giving yourself some thrills and chills in the process.

1. A Night in the Lonesome October by Roger Zelazny–The definitive horror novel for the month of October, the criminally underrated A Night in the Lonesome October tells the story of Jack and his loyal dog snuff as they seek to prevent the return of the Great Old Ones on Halloween Night. In the process, they have to deal with Vampires, Frankenstein, Werewolves, Witches and the like. The book is written in 31 chapters, one for every day of the month. Oh, and did I mention it’s all told from the perspective of the dog? Truly one of my top ten favorite books of any genre, this is a book you need to read.

2. The High Moor Series by Graeme Reynolds — There are numerous reasons to love this series of books, but let’s start with the literary ones. High Moor takes the tired, metrosexualized werewolf genre and injects desperately needed excitement, violence, horror, and heart. High Moor is a page-turner of the highest quality, and when you finish it you will immediately buy High Moor 2: Moonstruck, and then you will wish High Moor 3 was already available. And it is, if you’re a horror writer like me and got an Advanced Review Copy. But I digress. There’s another reason to love High Moor. Graeme Reynolds is an example for unpublished authors all over. He believed in High Moor so he embarked on the treacherous world of self-publication, and he did it the right way, paying for an editor and a professional cover design. I’m just waiting on the movie. Read my review here.

3. The Haunting of Hill House by Shirley Jackson — You can’t have Halloween without a haunted house, and there is no greater story about a haunted house than Shirley Jackson’s classic story of isolation, alienation, and good old fashioned ghosts. Just check out this first line–“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.”

4. The Mourning House by Ronald Malfi — Another story of a haunted house, The Mourning House is the shortest entry on this list. It is also one of the best. In life, there are times when one comes upon a work of art that is so stunning, so brilliant, and so fantastic that the mind struggles to accept that it is real. So is Ronald Malfi’s Mourning House. For years, I have searched for a piece of storytelling, a novel, a short-story, a movie, a television show, that could chill me. That could reach down in my soul and twist it. That could make me shudder and break out in goosebumps. Something I could savor every moment of and enjoy at some deep, transcendent level. It’s a rare thing, a piece of fiction like that. But “Mourning House” accomplished it. I loved this story. I loved every word, every syllable. I found myself reading it line-by-line, both afraid and excited to scroll down and see what was next.

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